In and Out - by Martin Leitch
Boundaries exist to stop us from colliding with each other. Boundaries exist to separate us. boundaries exist to keep us out, or in.
In this current Coivd 19 environment, some boundaries create division that do us harm and some have been created to keep us safe. To live in harmony and maintain our health, we all need to live by the rules.
Mask - by Mario Mirabile
Boundaries are for creating separation. They offer a buffer of protection that we can hide behind. They can be as hard and solid as steel, or as insubstantial as a puff of smoke.
Time - by Sue McLeod
Despite all our technology, time remains an insurmountable barrier. History both obscures and enlightens events and, just as our subject looks forward into the future, we look back to the past, as both our cultures experience the decimation of 'plague'.
Though time separates us, little changes; humanity faces similar challenges in every age, but we seem destined never to learn the lessons.
In our world, nature screams for respite, global warming thrives, pandemics decimate populations, war threatens; but Capitaism and human arrogance cannot hear. Often the balance of nature is righted thrugh human disasters.
Can our shared experiences help us see the writing on the wall before it is too late?
Boundaries of the Sea - by Tony Harding
People create hard boundaries with the use of barriers to manage interaction with the sea.
Nature also abounds with oastal barriers. These can be seen in the form of the ocean, the shoreline and land which naturally coalesce through malleable boundaries.
Public and Private - by Brian Rope
There are boundaries between things we reveal publicly and those we keep private. It is not always clear how much of ourselves, our lives, our possessions, or even our thoughts we wish to have remain private. We can put a sign or our door or say that we do not wish to share something, thus proclaiming that what lies beyond the door or within our minds is private, but if others can find a window to see what's inside the at least some of our privacy is lost. Things become public.
Invisible Masks - by Anne O'Connor
Covid-19 is a term that describes a world gone mad. A world that now hides behind doors, behind rulers dictating rules, within a premise of staying safe. No more congregating as a people in these times of unrest. The threat is there, unseen, hiding in meeting places that are now deemed unsafe.
This work is about changes imposed upon us. Our normality has altered and we wait for a future to emerge that is unknown. In doing so, we hide behind invisible masks that stop us from revealing the reality of our present and the hidden truth that still waits to emerge.
Urban and Rural Boundaries - by Tony Harding
Boundaries abound in both urban and rural settings.
Urban physical boundaries may manifest in a multitude of barriers to secure or protect assets. This may even extend to construction of a high wall to reinforce the exclusion of others.
Rural boundaries operationalised through physical barriers may be no less rigid. However, given the greater space in this setting, they are environmentally determined, tending to be livestock-management focussed. They also may be less elaborate and exclusionary.
Defy Entropy - by Geoff Shaw
In the sense that entropy is the inevitable thermodynamic trend to inert uniformity, it is boundaries that define us, that define life. In this image the boundary is a place of mutual complementarity between blue and yellow. And more subtle boundaries - the sharp edges and shadow that define the texture of the wall provide unification across the colours. Boundaries unite as well as divide.
Breaching Boundaries - by Brian Rope
On all sides of this building site there is a mesh fence covered with smaller mesh screen which, every so often, has openings in it. If we look through the opening, we can clearly see not only the area inside the fence but some of what is beyong the opposite side of the fence. The mesh fence, mesh screen and site shape are all characterised by, or with, regular shapes and lines. They are geometric. It doesn't matter how many boundaries are put in place if gaps allow breaches.
No Entry - by Anne O'Connor
Travelling around the city is a pastime I enjoy. I am free to wander the streets around me. However, there are restrictions designated by signs, which inform me of boundaries that I should obey.
This work is a collage of images portraying such boundaries. One could ignore them, or go along with them, they are not enforced physically. Yet, I am reminded of the term, 'nature- culture' regarding imposed rules that enforce compliancy through cultural trends. Responding is a learnt behaviour; there is no consideration of imposed boundaries & I obey without question, what is implied.
Shunned - by Geoff Shaw
A social boundary splits the image. A man begging on the street. The more fortunate passing by, studiously looking anywhere but at the beggar. In the background, at head height of the passers-by are the signs of a bar, a bank and a boutique shop; at the beggar's head height is a row of rubbish bins, reflecting the relative worth our society places on thses individuals. Social boundaries isolate individuals, driving a focus on our selfish goals, rather than uniting people to work together for the greater good of all in our society.
Between Life and Death - by Ian Terry
This image is an end of life portrait of my mother in her hospice a few days before she died. her room, in semi-darkness, the sun-filled garden beyond the boundary of the glass sliding doors. The printed sign on the door reminds us that this is still the time of corona and that visitor numbers are restricted - it indicates the boundary between sickness and health. The crocheted rug on the bed and the light catching her pink dressing gown, now no longer worn, grip my heart as she prepares to cross the boundary separating life and death.
Enclosed - by Judi Neumann
We work from home, we isolate, we quarantine - why? A virus has gone viral and turned our world upside down. Four walls have become our existence - there are buildings bound by each other, then there are units and offices within the buildings all bound by walls, into the units and offices we go only to be bound by four walls in one room. The sky is there unseen by those bound inside.
Just when we think it is safe to step out again, the virus decides it is not time to play and the boundaries are put in place again, bound by country, bound by borders within a country, bound by cities, bound in buildings, bound in four walls.
Isolation - by Ian Terry
An immutable boundary holds me in quarantine from the world without. I am alone in strict isolation, unable to see or speak to any person face to face, a participant of society's cocoon of safety from a virulent pandemic. At night a yellow light frames the door, shines through the peephole, reminding me that a world, which I am forbidden to enter, exists beyond its threshold. A world of physical engagement, of possibility, both positive and negative. After fourteen days I will open that door, cross the boundary and re-start my life.
Today Tomorrow - by Martin Leitch
Barbed wire presents us with a warning not to cross it without the risk of injury. For me it represents the boundary between the present and the future. Being present in the 'now', I am surrounded with a clarity that details every strand of my existence. But, in total contrast the future is blurred, indistinct and uncertain. The barbed wire is a boundary that I can only look across with a great deal of care and a certain amount of trepidation. I can never cross it because it will always the boundary between today and tomorrow.
Out of Bounds - by Kay Mack
I live in the safe environment of an Aged Care home. High fences with locked gates surround the property, keeping intruders out and potentially unsafe wanderers in. In healthier times visitors are welcomed and outings ecouraged with access through the supervised front door. Despite certain necessary restrictions due to COVID19, there is plenty to enjoy in our beautiful surroundings. And a tour around the path inside the perimeter fence gives me glimpses of our suburban environment: roadways, car parks, the vegetation along a dry creek bed, and our nearest neighbours.
Cold Covid Picnic. Alone. - by Lyndall Gerlach
With the pandemic of 2019-2020 people had to impose boundaries on themselves. In June, we began to open up some mormal activities, but in the winter of Canberra it takes a brave heart to breech the cold of the days.
This man has a strong impulse to get back into the free environment. For him, he faces the boundary of physical distancing boundaries as he lunches alone, in the cold, beside Lake Burley Griffin.
Separated by Colour - by Judi Neumann
The colour of our skin confines us to being different and binds us to different histories, cultures and bias. Over long periods of time boundaries have been placed on races of colour, causing inexcusable hardships and emotional trauma. The media and politics are no help as these are controlled by those who implement the boundaries.
The voice of a few, Martin Luther King Jr, Dorothy Height, Nelson Mandela, raise up to change the barriers and bring equality to all. The struggles go on in the recent conflicts in America. Progress is slow. Boundaries and barriers as slowly falling but the big divide is far from over. We can see gradual integration in our society but largely we are still bound by our skin colour - black and white.
Personal Boundaries - by Kay Mack
At an early age we begin to develop body self-awareness, a necessary skill in negotiating our way in a physical environment. We grow so gradually that accommodating our larger selves to the world is an automatic process although accident or illness may disrupt this. If at some stage we become confined to a wheelchair the chair becomes the boundary of our personal space but it is not a barrier between ourselves and the world. Barriers are created by external factors such as stairs, rough surfaces, doorways, table heights and, too often, the attitudes of others.
Don't Always Work - by Lynton Targett
This image reminds me about the saying "The grass is always greener on the other side". Even when boundaries are put in place some things just ignore them. In this case the boundary wasn't built high enough for the purpose. I captured this image at Zoodoo in Tasmania. I found it comical that the camel just didn't put their neck over to feed on the grass on the other side but managed to put legs over as well. I see a comedy in things that nature do and how we really do not know how nature thinks.
Love has no boundaries - by Lyndall Gerlach
2019-2020 brought the world to its knees. The world began isolating, creating boundaries, by country, state, county, suburbs, even families, and we were advised to close our doors. Boundaries meant life and death for susceptible people.
Older couples locked down, days and days passed, sunny days, stormy days, two months of days. And death was always outside that door, it was the enemy of their existence.
So much love, forever more, despite this world.
Love has no boundaries.
Triangulation - by Mario Mirabile
At times we all find ways to create boundaries around ourselves. Even when we tread the same paths as others, we manage to create our own little corners of isolation.
An infinite universe is a universe that expands infinitely and eternally - by Roger Skinner
Of a Convict Era - by Lynton Targett
This image gives a sense the restraints of a convict building except it is a school house in Campania Tasmania. Even the shools had boundaries the windows in this picture don't open they are fixed. The presences of being there you admire the construction but also appreciate the pain and hardship that it took to build. Solid 12 inch Sandstone that has lasted the weather of time. I see a forgotten past that I as a Tasmanian-born need to re-discover.
Walk the Line - by Peter Wydmuch
The inspiration for this abstract came from Johhny Cash songs "I Walk the Line" and "Burning Ring of Fire".
"Walking the line" is a boundary defining colloquialism about the line between what is morally right and wrong as judged by society.
Three images on either side of a path is indicative where the socially acceptable live, and a fourth image depicts the abyss of unsociable behaviour.
One always chooses the line it doesn't matter where one is born, what one does or where one lives. We are defined by the path we choose. Some can choose some can't.
Francene - by Sue McLeod
Consequences arise when we cross barriers; Francene is a male to female transgender person. Her male body alien she feared dying as a man, unbalanced, unfulfilled.
However, she is still paying the price for daring to cross some peoples moral boundaries. Despite this, she is now cntent because her body and mind are at peace.
However, moral prejudices creates other boundaries which seek to stigmatise her, even though Harvard (and other) Universities proved that gender is not binary.
The question posed by this work is; Do we continue to maintain the boundaries for transgender people and treat them as pariahs, or do we welcome them as fellow human beings? Do we have the right to create more heartache for people like Francene - do we have the right to judge?
Fear, ignorance and prejudice create boundaries. Knowledge, understanding and empathy unite us.
Bounded universe - by Roger Skinner
Grounded - by Heather Prince
I see the playground as a metaphor for escape into imagination. Up, up and away! How high can you go? In the minds of children, they are flying like birds or angels or jet planes or sliding down into an ocean and off to a mystery place somewhere. They feel the rush of air on their faces and the exhilaration of rising and falling through space. They learn to climb higher and higher and higher.... Now there is a barrier there, a physical barrier. No more magical, mystery tours for the children. They are grounded. No escape from reality.
Looking Up - by Glynis Pogson
This upwards perspective of branches reaching towards the expanse of a dusk sky was taken last September - well before the current restrictions to life under the Coronavirus threat. To metaphorically look up is now relevant to the worldwide hope for an end to this persistent and devastating illness.
On the Ground - by Elizabeth Slezak
Boundaries are generally restrictions and limits, which can be physical, emotional or personal. They exist to stop us from doing something we would like to do, and modify our behaviour.
This image attempts to interpret the notion of boundaries. It captures a Disabled Parking sign, the symbol of access, securing this parking spot for a disabled driver while restricting other drivers parking their vehicles there. Literally, a boundary is created in order to protect the disabled drivers.
Suffer Little Children - by Heather Prince
When I lean back
and swing so high
my tiptoes tickle
the belly of the sky.
(Amy Ludwig VanDerwater)
The yellow and black tape is a physical barrier prohibiting entry to the world of play where children explore their differences and similarities and learn how to participate in the world. For children play is the beginning of knowledge.
This gallery contains all the images in the 2020 Virtual Exhibition with the theme Boundaries, conducted by Contemporary Group for interested members in 2020. Each image is accompanied by the exhibtor's name and artist statement accompanying the image.
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![]() ERMINGTON NSW 1700 Australia |
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Bio
Valérie Jardin is a French photographer, currently residing in the United States. She is self-taught and worked for several years as a commercial photographer. Today, Valérie is known internationally through her workshops. When she is not teaching others the art of visual storytelling, Valérie is a prolific author, a speaker, and a podcast producer of the bi-weekly show Hit The Streets with Valérie Jardin. She is also an official X-Photographer for Fujifilm USA. She lives and breathes in pixels.
Street Photography : First steps and beyond
In this presentation Valérie will give an overview of the different ways to approach street photography. She will go over the ethical aspect of this popular genre of photography, the do’s & don’ts and how to get over the fear of photographing strangers in the streets. Through examples from her body of work, Valerie will show you different techniques to tell a story in a frame and ways to make stronger street photographs. You will leave this presentation with a renewed vision.
Contact Details
www.valeriejardin.com
Instagram
www.instagram.com/valeriejardin/
Bio
Charli Savage is an emerging Australian based, self-taught photographer known for her story-telling imagery. She purchased her first camera in mid-2018 and after a few months started looking for ways to tell stories through her imagery, and discovered the world of conceptual photography.
Her work is surreal, outstanding and fresh. Charli taught herself how to use photoshop, applying textures to her images to create a weathered and painterly feel. She uses a mixture of herself and models as her subjects, building her own props and spending countless hours roaming through op shops to find the perfect outfit.
She has created a vast portfolio of timeless photographic art, usually based in strange, altered realities.
Strangeworld
Charli will share her journey, tools, provide tips and fascinating insights into her work as a creative photographer.
Contact Details
www.strangeworldphotography.com.au
Social Media
@strangeworld.photography / @strangeworldportraits
Bio
Libby co-founded Australia’s first print-on-demand photo book company, Momento, in 2004. Since then she has helped establish the Australia & New Zealand Photobook Awards and the APS Photobook Competition, as well as the first photo book festivals in the region - Photobook Melbourne and Photobook New Zealand. She regularly curates content and hosts events to enable photographers to design and self-publish successful books, and passionately promotes antipodean photo books to the local and international community.
Create a Successful Photo Book
Libby will enlighten us on how to create a successful photo book from concept through to design, print and self publishing. She'll offer up expert design tips, inspiring examples, and demonstrate how to layout a successful photo book using Momento's software.
Contact Details
www.momentopro.com.au
AIPP M.Photog.
Bio
Acclaimed photographic educator and award winning photographer, Greg Sullavan brings more than 25 years industry experience to create his stunning imagery. With the dynamic combination of technical expertise and creativity, Greg has inspired thousands to pursue their passion for artistic expression in his previous role as an ambassador for Canon Australia, with many becoming professionals in their own right.
A graduate of the Queensland College of Art, with a Bachelor of Visual Arts in photography, Greg is now the director of Sunburst Studio with his wife Marija, specialising in both photographic services, workshops and experiences.
The Secrets of Outrageous Landscape Photography
Amazing photography is accessible to everyone as the quality of cameras gets better at more affordable prices. How do you stand out from the crowd to get your photographs noticed? In his presentation Greg will share some of his tips to move beyond the boundaries of traditional photography and learn the art of outrageous landscape photography!
Contact Details
www.sunburststudio.com.au
Social Media
@SunburstStudioBrisbane
MPSSA Hon FPSSA FAPS EFIAP ARPS EPSSA SPSA
Bio
Dr Johan Botha has been an active Wildlife photographer for 28 years in Africa, specifically South Africa, Botswana, Namibia, Kenya, Zambia and Tanzania and he has also photographed extensively in Alaska, Antarctica, South America, Australia, Europe and the United States.
Category winner in both the UK Natural History Museum Wildlife Photographer of the Year competition as well as a category winner in the Natures Best Magazine Competition in the USA. He was also honoured as South African Wildlife Photographer of the year.
Johan’s work has been widely published in various magazines, calendars etc .. and exhibited in South Africa, the Natural History Museum in London and the Smithsonian Museum in Washington. He holds photographic honours from the national photographic societies in the countries of South Africa, UK, USA, Australia and Europe (FIAP). He has published two books on wildlife photography.
Wildlife Photography my Way: Musts, Myths and Tips
Successful wildlife photography means different things to different photographers. For some it is to get an image of a unique animal or bird. For others it is simply to get an image to post on Facebook or to use in a salon or to sell. For me it is to get an extraordinary wildlife image. Extraordinary is defined as the one or only of a kind or type or rare situation. Such images require very hard individual work and patience in the bush as well as knowledge of the wildlife behaviour, environmental conditions and equipment. You must be able to apply this knowledge without really thinking (quickly). Only then will you be able to predict what is going to happen and to capture an extraordinary wildlife image. I will be discussing in my talk some musts, and myths in this regard and I give some tips to capture extraordinary wildlife images by sharing some examples.
Contact Details
www.johanjbotha.com
Image Format and Size:
Social Documentary Rules Apply. All photographs must be of your own work. Photographs should be as taken within camera. All processing should be basic, with only jpg artifact removal and cropping allowed. That is, no enhancement and without additions of other material or removal of original data which will change the original image.